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March 18 2012

OCCUPYING THE PLACE LEFT RIGHT AFTER THE COUNTER-REVOLUTION

what if Adam Curtis is right? [here] that the failure of the Left has more to do with the Right stealing all its best ideas than with anything intrinsically wrong with the Left itself. The Right showed that those ideas could work. Look at the success of the network! And of course the victim mentality of the Left bears witness to this. But then the Left didn’t fail, it lost. It lost the Revolution.

perhaps it has taken until now to realise this. Now in the new life political action appears to have we are in fact seeing the residues of a counter-revolution, the fallout from the Right’s decision to backtrack on and relinquish the good ideas it stole – from freedom, self-determination, fair competition, democracy to neoliberalism, market-led social policy, monopolistic trade, corpocratic control: the clampdown on the network that was the Counter-Revolution.

We never knew we had it so good until then! Now no wonder there is protest.

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March 01 2012

January 15 2012

November 26 2011

Occupy is a Revolutionary Subject or Still Life

- Balthus, Still Life, 1937

Occupy Wall Street as a Node of Resonance

The node of resonance analysis seems to me flawed because it takes the image from network theory. Receptive as well as resonant nodes imply a mechanical reduction: they are parts of a mechanism, not machines productive of transversal subjects.

Occupy has the power to effect change | Peter Hallward

Peter Hallward’s piece ignores even Judith Butler’s view of a material transformation effected by Occupy – which is at least suggestive – in favour of advocating a conventional protest movement, involving civil disobedience and non-compliance.

The tactics of occupation: Becoming cockroach

This is where the former analysis actually works, since it points out the difference between Occupy and a protest movement: the former does not Move! Here also the strength in the Cockroaches article is stasis. There is no movement.

What doesn’t happen when we stop? is the question. Not the more familiar: What happens? Or: What happens now that we have stopped here?

So: What or who cannot be excluded? Not: How can I be included?

Which points to Occupy as a simulation. There is an indication, several stories, an anecdote or two, that the Zuccotti Occupation began from an artistic reappropriation of the Tahrir Square Occupation. It was recognisable. People knew how to respond. And there was a sort of romance: maybe we are like Egyptians, fighting an overtly oppressive system.

It involved – and involves still, stillness being all – the putting into play of an aesthetic for which no further instructions were required. Simply occupy! It is this aesthetic phenomenon that the above analyses are trying to reduce to discourse, to analyse, to trace the outlines of, the etiology, the teleology, the origins and ends, and curlicuing, ornamenting out of sheer imaginative will, and failing to analyse, failing even to depict. Because such traditional forms of analysis are afraid of simulation, fakes, the hyperreal, or virtual.

Imagine a serious person finding value in the politically fake! There is an art to writing of such things.

What I would like to point out is that not only is Occupy not a movement, because it does not move, not only is Occupy a simulation, or fake, or play politics (!), but that in the bodies it immoblises it puts its own status – and stasis – at risk.

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November 13 2011

Εμπρός – Mavili collective occupation of Embros Theatre Athens begins 11/11/11


- from – and more – from – here

the so-called re-activation of the theatre is temporary.

the question I would ask is how make it permanently temporary?

since the theatre is temporary.

a region of existential refrain. [Guattari]

I suggested a similar re-activation for Downstage theatre Wellington when it was announced it couldn’t afford to stay open after Radar’s one man show.

It has stayed open. But is in poor health. Negotiations were held with City Council. And, since, strategies have been put in place…

strategies…?

put in place…?

I still propose occupying Downstage.

Despite the depredations of prolonged use as a venue with skeletal administration – starvation in other words – and no company and the concomitant deterioration in the state of the building – through economic isolation although not an isolated case of it –

and despite the good intentions of Downstage’s board of governance and the rallying of the supporters’ society

and that of the negotiators

those theatrical healthcare officers

to devise a strategy for treatment [see here]

it is still that lovable bunker, the unfinished concrete interior of which once long ago caused some old ladies I overheard in an interval in the ambulatory to express their pleasure at buying tickets since the money would help pay to finish the building!

and meanwhile its present shameful disuse continues for the St. James theatre in Auckland … better occupy that than that excuse for a civic space, Aotea Square, in the land of the long white out …

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